SHEET: THE UO ZINE: JAMES WILSONJune 26, 2014
Big, bold and Bristolian – illustrator James Wilson ticks all the b-word boxes when it comes to his artistic handiwork, which is precisely why we got him involved in our fourth edition of Sheet: The UO Zine.
Displaying his work across some of the UK’s most prominent creative platforms; including the likes of Crack Magazine, Little White Lies and My Yard, we asked James to pick out his favourite pieces and delve a little deeper into their arty origins.
This was created for an editorial for Crack magazine, focusing on Funk idol George Clinton. I took inspiration from ‘60s and ‘70s psychedelic gig posters, mainly for the type.
This image was inspired by Director Paul Thomas Anderson’s movies for Yawn magazine.
This was an editorial piece on Trash Talk: the Sacramento Hardcore band, for Crack magazine. It was a weird coincidence as my band Knifeman supported them a few days before I got the job.
I call this piece “Get Your Ass To Mars”; it was created at a charity exhibition where over 250 artists got involved creating unique artworks to be presented within a VHS box format. The gallery was even laid out like a video rental store. All proceeds went towards the Art Against Knives charity.
This is a current project that I’m working on for Strut Records, taken from a compilation album of Ghetto House music.
Poster pullout from ‘Dance Mania: Ghetto Madness’ release, out 21st October on Strut Records.
Jehst mentioned Robocop as an influence within the accompanying article to this image, so I thought I’d stick him in a Robocop outfit alongside ED-209 (The classic ‘80s version of course, not the rubbish new one). It was created for Crack magazine.
This is a work in progress for the next PIC ‘N’ MIXTAPE zine, a quarterly comic arts zine that celebrates weirdo art and all types of music. It’s based on my housemate Liam who eats nothing but pizza.
Pick up SHEET from your local UO Store.